twentieth century girl.

i sang "i love you, but i have to cut you loose".

2011-11-14T14:12:00.000-08:00

Last night, I had the privilege of seeing Youth Lagoon perform to a sold-out crowd at The Red Palace. While Trevor Powers claimed he was sick, he didn't miss a beat as he played the entirety of the record. I was curious as to how the music would translate live, but it was a non-issue (my sole, minute criticism is that I wanted to hear more bells for the grandiose end of "Bobby").

Powers' live persona lends perspective to this quote:

Youth Lagoon isn't me. It's merely a part of me. I was in and out of different bands in high school and always tried to define myself by what music I played. I tried to find a sense of meaning by being in a band. But it wasn't until this last year - when I realized I was more than just music - that I was able to create music that means something to me. And that is Youth Lagoon.

He showed a far more chipper side than I think many expected. Plus, he hung around to sign merchandise and converse with eager stragglers (me included). I anxiously await what's next because along with Beirut's The Rip Tide, The Year of Hibernation is pretty much the only new music that I have on constant repeat.

don't have to be so sad about it, people will say.

2011-11-10T14:15:00.000-08:00

Another show I thought I'd never see came to fruition last Thursday night. The Glands played a spectacular set at Black Cat backstage. The mysterious band from Athens, GA had suddenly added a short series of tour dates down the east coast.

I arrived to a buzzing section of fans, we were all wondering exactly what we were in for. That turned out to be an epic setlist of most songs off of Double Thriller (1998) and The Glands (2000), including vinyl-only tracks. The guitars and vocals made the overall message of the music even more vivid. Ross Shapiro's sardonic lyrics somehow poke fun at depressing subject matter, making the songs seem more cheerful, but still extremely relatable. These songs make me desperately hope for a new album of someone else explaining my feelings to me. Regardless, it was a priceless show and I'm really glad I got to see them play. They were extremely gracious to the crowd, playing a two-song encore, selling their own merch, and staying to chat.

Below is the gang performing my all-time-favorite: "Fortress".

i will not hear you out, you tried to drown me once.

2011-10-10T19:13:00.000-07:00

I have found a bit of a kindred spirit in Trevor Powers' Youth Lagoon project. The songs are an introspective, honest, and sometimes eerie look at the ups and downs of living and emotion.

"For my whole life I've dealt with extreme anxiety." says Powers. "Not anxiety about passing a test or somewhat normal things, but weird.. bizarre things. Things that only I know. I sometimes feel like I'm literally being eaten up inside. So I started writing these songs. Not just songs about my anxiety, but about my past and my present. Songs about memories, and all those feelings that those bring. I know that if I can be honest about what is inside my mind, there will be others that will be able to relate to it."

2011 hrc national dinner.

2011-10-02T10:02:00.000-07:00

Last night, I had the pleasure of attending the HRC National Dinner. It was a fabulous evening focused on civil and human rights. This was HRC president Joe Solmonese's last dinner before he plans to step down. Among guests were President Barack Obama, Mayor Mike Bloomberg, Sarah Jessica Parker, Cyndi Lauper, and Betty DeGeneres.

The speeches focused on marriage equality, hospital visitation, hate crimes legislation, and of course the repeal of Don't Ask Don't Tell. It was an amazing night, seeing everyone come out in support for equal rights.

text and video of the speech
huffington post article
cyndi lauper

there's no such thing as dragonfly pills.

2011-06-27T20:54:00.000-07:00

I will be covering this song at a few upcoming shows with Last Tide. So excited to be singing again. Love the minimalism and high harmony.

COACHELLA.

2011-04-08T12:33:00.001-07:00

one week.

the days whispered and shouted.

2011-03-14T11:30:00.000-07:00

"Plains" by Wye Oak became my new favorite song yesterday when a friend sent it to me. I'll mostly let it speak for itself, but this Baltimore duo have really caught my attention with the harmony they make between soft & loud, and between languid & accelerative.

live NPR podcast (black cat).

they use smiles to bury you.

2011-03-06T11:24:00.000-08:00

A curious band, Esben and the Witch, played Thursday night at the Red Palace. The English trio took the stage with a sense of the fairytale and a gothic touch. It was almost like a dream sequence. Vocalist Rachel Davies let her long hair flow over her face as she sang strong smooth words and provided the sole percussion. The set was magical in a way, and though they aren't shoegaze in a traditional sense, their detached synchronization worked well for the music. They have been signed to Matador, and I would like to see them continue to garner positive attention.

video:
they use smiles to bury you
marching song

i'm comin' home for you.

2011-02-13T19:06:00.000-08:00

DC hometown favorites US Royalty just released their debut album, Mirrors. Their sound has evolved from their earlier work, but their influences remain similar. My favorite track is "Monte Carlo".

spin article/mp3

and i'm asking you, can you still love me...

2011-01-06T13:07:00.001-08:00

Photo by Anouck Bertin.

Colonel K Speaks informed me this afternoon that Ramesh Srivastava has recently released a solo EP. This is exciting because its the first music he's made public since the dissolution of Voxtrot.

The following tracks can be streamed on his website:

1. the king
2. romeo (void)
3. recording heathen earth

As usual, Srivastiva's lyrics and vocals are on-point. He keeps things fairly simple, with strangely pastoral string arrangements and acapella segments. "Romeo (Void)" counters this with electronics and a drum machine. It seems he is experimenting with what sound he wants to move into. I am glad to see him going forward individually and am, for the most part, pleased with the result. I hope these tracks will be up for download/purchase at some point.

no one else can show us how, i feel fine.

2010-12-18T08:37:00.000-08:00

Thursday I caught a show two new-ish duos playing at Comet Ping Pong. Reading Rainbow are out of Philly. My friend Nate showed me their music and I was interested in seeing how things would play-out live. The two things that stood out were the stand up drummer, and chemistry on stage. I was waiting for them to play "Wasting Time" and it was a good rendition, though the guitar was off-key throughout.

Coasting are from Brooklyn. Ultimately I preferred them. Their chord progressions reminded me a lot of A Place To Bury Strangers. I liked the ambiance they created, being energetic while still singing with eyes closed, gazing at shoes, and dressed for grunge.

With both bands, the common negative that I heard is that the sound can get monotonous. Bass would have added a much needed dimension. It was definitely interesting to see how bands with only two members can create songs.

i don't know what i'm gonna do about that, but i know what to do with you.

2010-12-06T12:41:00.001-08:00

Last night I had the privilege of seeing one of my favorite bands, Chief, play before an intimate crowd at the Rock & Roll Hotel. This had to be my top show of the year. Reasons why are as follows:

1. Everyone in the band sings- melody, harmony, and then lyrics seem to drive this group. Chief adhere to my belief that keeping things simple can create great songs. Tracks that may seem one dimensional on the album came alive on stage. Each person has a role, but they can switch around at will.

2. Laid-back attitude, lack of pretension- Chief took the show seriously even though the venue wasn't packed [as it should have been]. They were gracious to the crowd and even hung around after the set. Certain DC bands could learn something from this.

3. Just plain good music- i.e Far Away, Your Direction & Mighty Proud

i knew it from the very start.

2010-11-19T11:19:00.000-08:00

I was introduced to Girls by the song "Laura" on a sentimental summer mix for my trip to Florida. More recently, I have fallen for their newest release "Heartbreaker" off of the Broken Dreams Club EP. I'll let the song speak for itself, but I love this lyric in particular:

I will never get over you, no/ I still got a lock of your hair.

Free Download

your love is a mirror.

2010-10-18T12:00:00.000-07:00

With my night off last Sunday, I checked out new-to-me Scottish group We Were Promised Jetpacks at the Rock & Roll Hotel. Erik Anderson had suggested them to me since he had played with them before and thought I would be into the music. Going in I only knew the song "Quiet Little Voices," and I was curious to see what their other stuff sounded like.

The crowd was rather large and actually much more than I had expected for a Sunday night. The band incorporated jet-esque sound effects in the intro and outro, which added to the hype in the room. They came out with a burst of volume and energy that showcased their talent and ability. It was nice to see a band who could hold their own without all of the smoke and mirrors. I was drawn to the vocals and lyrics in almost all of the songs, and they held my attention. The addition of xylophone on "Thunder and Lightning" rounded things out instrumentally. New songs "Hard to Remember" and one other were probably the highlight. They took the band in a similar, but more complex direction. I would love to catch We Were Promised Jetpacks the next time they come around.

wavves.

2010-10-03T10:48:00.000-07:00

[or why Nathan Williams shouldn't be invited back to the Rock & Roll Hotel].

1. You call nonsense on random police searches, but I've seen them myself
2. Many in the service industry are in good graces with certain cops
3. You're not from DC so how would you know
4. Respect the venue you are playing at. Being in a touring band is a privilege
5. If you want to break the rules, don't announce it to the crowd in a self-righteous manner
6. Smoking weed doesn't make you inherently cool [no relation to the hip-hop twitter reference, it just doesn't].

image via @wavveswavves:
The music was okay last Monday night, but the bullshit was distracting.

bring on the major leagues.

2010-10-02T12:42:00.000-07:00

Last Friday night I traveled up to New York in anticipation of finally seeing [one of my all-time favorites] Pavement perform live. I had purchased the tickets almost exactly a year in advance, so I was a pent-up ball of emotions and expectation. I avoided reading about their other Central Park shows, though I did familiarize myself with the set-lists. I got in line at 5:30 PM and grabbed myself a seat...then all I could do was wait.

The Beets opened. I didn't care for them and almost wondered how they gained the coveted spot. They put in a good effort though, and tided us over until Pavement took the stage at 9PM.
I was in awe, it seemed unreal that they were right in front of me. Malkmus presided over his group and Bob Nastanovich provided comedic relief, as per usual. It was great just to see them together again and feel nostalgic. Malkmus's gravelly vocals and guitar antics took me right back to the 90's. It was a marathon set, and they played a little bit of everything. My long list of favorites includes "Elevate Me Later," "Summer Babe," "Frontwards," "Shady Lane," and "Perfume-V". I can only wish they had played my all-time favorite "Texas Never Whispers" and/or Terror Twilight sleeper hit "Major Leagues".

I am glad that I made the trek to NY rather than seeing them at Virgin Freefest the next day. Though there was less intimacy than I would have liked, the show was phenomenal and I couldn't have asked for anything more.

Full setlist here.

THE FINAL COUNTDOWN.

2010-09-20T19:57:00.001-07:00

THIS FRIDAY.

NEW YORK.
PAVEMENT.

for love, survival, and everything else.

2010-09-13T15:41:00.000-07:00

Last night I had the experience of seeing The Drums and Surfer Blood at the 9:30 Club. The following is what ensued:
The Drums opened with"Best Friend," which had previously been my favorite of their tunes. "Submarine" and "Down by the Water" far surpassed that in my opinion. Jonathan Pierce was spastic, but lovable. The performance as a whole seemed almost like a scene from Glee rather than a live show. I loved the energy, but kind of prefer something less [seemingly] staged.
Then Surfer Blood quickly cemented their placement into my recent favorites. JP Pitts displayed impeccable vocals, with more variance of strength and tenderness than can be heard on a mixed album [all while sporting an American Flag vest]. "Twin Peaks" was a stand-out track. I also love the early 60's surf-rock retro vibe on "Catholic Pagans". It has maybe even a Frankie Valli or Beach Boys falsetto feel. The guitars were clean & smooth and everything seemed on point. All in all, it was a great night.

so when i'm with you i have fun.

2010-09-09T12:56:00.000-07:00

Prior to seeing Best Coast live, I really wasn't sure what to expect. Bands with so much hype are usually a letdown, and while I like the album, I feel that the songs are all so similar and repetitive. But then I like reading about Snacks the cat, and about the band, etc etc. I procured a list spot to the sold-out event thanks to some friends and went in with a somewhat cynical mind. It took only a few songs to win me over. This show came together to be what many of us felt like an ode to summer, beaches, and barbecues. I can appreciate the simplicity of the three-piece group; each person has to be able to hold their own. I also liked that the focus was on the music rather than fashion or trying to be cool.

Bands often complain about the sound at Rock & Roll Hotel, and I usually think its fine. I only wish that last night the vocals could have had a bit more clarity rather than just sheer volume. Bethany Cosentino's voice was a welcome surprise from what I expected to be the forced cutesy vocals of an indie it-girl. I actually enjoy the live songs more than the versions recorded on the album. I hope that they continue to grow in terms of songwriting and aren't merely a passing fancy.

i see, see, see you 'bout every night.

2010-09-07T11:18:00.000-07:00

A band with a New York sound and California style, Chief, captured my eye after my roommate pointed out that I would probably have a crush on the lead singer. I concurred after seeing Evan Koga and concluding that he looks like the spawn of Steve Aoki and Dave Grohl. That is beside the point though.

When I heard "Night And Day," with its haunting melodies and addictive hook, I had to have it immediately. Vocals are a major strength for the band in general. I also enjoy "My Love is Gone," which showcases their ability to vary the sound, but stay cohesive. The former is found on Modern Rituals (2010). Rolling Stone said "On their debut, this shaggy quartet conjure classic West Coast folk rock like they were baptized by David Crosby and reared by the members of Love." Agreed.

Acoustic Version

it's good to be back.

2010-08-16T08:12:00.000-07:00

"i remember when our voices used to sound the exact same".

"so wait up/ you never get nervous anymore".

you say you think we are the best thing.

2010-07-28T09:28:00.000-07:00

Miss Reading from Jonathan Luna on Vimeo.

Last week I shot some photos and video with Jonathan Luna. He then put it to the music of The XX. I think it turned out pretty well.

looking over your shoulder and setting sail.

2010-06-28T23:53:00.000-07:00

As ADD as I am, it means a lot if I can sit through an entire album. Fanfarlo's Reservoir (2009) has had my attention for the past few days. Simon Balthazar's sweet vocals welcome the listener into an indie pop paradise. The five-piece out of London do well to play off of each other and still keep things cohesive.

When I saw the video for "Fire Escape" I was instantly hooked. I am drawn to the concept of the video as well as how it relates to the song.

Also, "Harold T. Wilkins" is one of the catchiest songs I've heard in a while.

the end of the "long-winded funeral".

2010-06-24T14:05:00.000-07:00

Before last night, I have never gone into a show with such a mixture of anticipation & anxiety, excitement & melancholy. Seeing Voxtrot and knowing it was their last show was somber. I didn't know if they were going to play all the songs I wanted to hear, and I wanted to cement this band into my mind forever. Needless to say, I should have trusted Ramesh and his boys to put on their show.

Setlist:
1. introduction
2. firecracker
3. raised by wolves
4. kid gloves
5. your biggest fan
6. steven
7. soft & warm
8. mothers sisters daughters wives
9. trepanation party
10. rise up in the dirt
11. the start of something
12. berlin, without return
13. wrecking force
14. missing pieces [encore]

The only things I wish they'd played are "Trouble" and "Whiskey," but I took what I could get and am very pleased with what they chose. It was an energetic performance, and I was surprised to see how many new fans were in the audience. The crowd was very into it, and I was definitely singing along. As the night came to a close I started to get sad, but realized I will always have those memories of seeing them play at Siren Fest and the Cat. And I'm sure that Voxtrot will still play a big part in my music rotation.

chaos and the big sea.

2010-06-14T19:06:00.000-07:00

"Creation was an indie, but it didn't wear a cardigan, it didn't apologize".

I have a lot of respect for Creation Records. Spearheaded by Alan McGee and his Biff Bang Pow! bandmates, Creation was at the forefront of British indie labels. They were home to so many great artists from the label's beginnings in 1983 until its dissolution in 1999. Cutting records for Felt, Primal Scream, The Jesus & Mary Chain, and eventually Oasis, Creation made a name for themselves out of excessive debaucherous genius.

I prefer the earlier days before Sony bought-out nearly half of the company. It was a straight-up indie label that gave its unique acts a chance to flourish. From jangly British pop to the origins of shoegaze, Creation succeeded in putting out groundbreaking records. There are many compilations that allow the listener to get a general feel for the label. I am partial to the Creation Purple Compilation (1988). The album has a cohesion, but also highlights the musicality of each of the bands. Below are links to some of my favorite tracks.

"Christine" - The House of Love
"It Happens" - Primal Scream
"She Haunts" - Biff Bang Pow!
For Further Reading...

where the stars always tell the truth.

2010-06-08T11:34:00.000-07:00

The latest edition of Thornley & Friends, last night at Solly's Tavern, was dedicated to the departure of the fabulously eccentric Ryan Mitchell. He joined the brothers Thornley on stage, along with Matthew Hemerlein.My favorite tunes were The Four Horseman's "Wait until Spring," and a cover of Chris Isaac's "Wicked Game." The former highlights vocals and finger-picking guitars. It's simple melodies and acoustic tones are mellow and beautiful. "Wicked Game" is obviously on the other end of the spectrum. Hemerlein took on most of the vocals and really impressed me. His timbre has just a touch of grittiness, accentuating the sensuality of the song.

What I loved about this show was the energy. There is a surreal camaraderie when everyone makes it out. DC is a transient city and while people are always coming and going, some things remain the same.

P.S. I slept on this for a minute, but this mix is phemomenal: Sockets Records Spring Mix

a truce with jameson.

2010-05-24T22:17:00.000-07:00

I've been listening to a lot of 90's country lately, and just stumbled upon this rare Voxtrot track that has a touch of southern feel to it. The lyrics describe my exact mentality right now.

and i can drink

my whiskey and water and

fix folly and peace

cuz there's a price you pay

to live this way, it's called a release.

free mp3 here

I'm also looking for Bob Dylan's version of "Rock Me Mama." If anyone knows where I can find a version even for streaming let me know!

where's hip-hop in the white house?

2010-04-25T21:53:00.000-07:00

Today I read an article in the Washington Post regarding President Barack Obama's lack of recognition toward hip-hop artists since he's been in office. I largely concur with Chris Richards' assertion. Obama has highlighted music as an important cultural element, and has held many concerts, but has yet to show appreciation for an art form that rallied to get him into office. There are many "safe" artists to choose from, but it hasn't happened.

One can assume that Obama is still tiptoeing the very thin line between embracing the hip-hop community and catering to constituents who remain dubious about rap music.

He took a similar approach during the campaign, adopting Jay-Z's dirt-off-your-shoulder gesture during a speech in North Carolina, while distancing himself from a Ludacris song that hurled pointed insults at Hillary Rodham Clinton, John McCain and George W. Bush.

While I also understand Obama's hesitation, I think he needs to tow the line a bit more. As much as I love him, he seemed ready to shake things up all around. There is a way to make hip-hop culture a conscious educational tool. He should use that to his advantage and acknowledge what the music has given him. Bring hip-hop to the House!

voxtrot FAREWELL tour.

2010-04-21T11:38:00.000-07:00

According to Pitchfork, Brooklyn Vegan, and various other sources, Voxtrot have officially announced that they are parting ways. While this saddens me greatly, I can't say that it was unexpected. I am thankful that this tour will come to the Black Cat and I can say goodbye in my own way. These guys wrote songs and lyrics that helped me through any situation or feeling, and really shaped my taste in music. For that, I am eternally grateful, and nostalgic for all of the 2007 shows that made my life.

Voxtrot - "Goodbye, Cruel World" 2010 Tour Dates
MAY 21 - Chicago, IL @ Lincoln Hall
MAY 22 - Appleton, WI @ Lawrence University
MAY 27 - Los Angeles, CA @ Echoplex *
MAY 29 - San Francisco, CA @ Great American Music Hall *
JUNE 3 - Austin, TX @ Emo's
JUNE 23 - Washington, DC @ Black Cat
JUNE 25 - New York, NY @ Bowery Ballroom
* = w/ International Waters (Mitch from Voxtrot)

take it away.

2010-04-14T22:49:00.000-07:00

Transient DC is frequently making me say goodbye. These mixes always overlap, but with a slightly different meaning. Here's the latest tracklisting:

1. rip it up- orange juice
2. you'll start a war- the pale fountains
3. killamangiro- babyshambles
4. starrsha- ringo deathstarr
5. blue jeans- blur
6. fortress- the glands
7. just like honey (home demo)- laura reading
8. sixteen- skywave
9. 23- blonde redhead
10. hindsight- built to spill
11. lived in bars- cat power
12. quiet time in my room- delusions
13. i know i'll see you- a place to bury strangers
14. the drowners- suede
15. cabin fever- the brian jonestown massacre
16. texas never whispers- pavement
17. angry mulch- voxtrot

WMC 2010.

2010-03-31T17:52:00.000-07:00

[A story of my second annual Winter Music Conference]
Day 0: Wednesday at 9PM we started the 16-hour drive from Virginia to Miami. The first stop was Krispy Kreme, then played the scratch-off lotto in Fayetteville, followed by a 2AM jaunt to South of the Border; tourist trap or not, that place is fun. We were all so amped when we got to MIA the next afternoon, that we instantly changed and prepared to party.

Day 1: The first stop was the Alize Oasis at the Raleigh. They had complimentary hair, nails, makeup, and drinks. Peeped Steve Aoki, and enjoyed the sun and music. Dinner was La Sandwicherie, my favorite food spot in South Beach. And the last stop that night was the Fountainbleau. Saw Bronques from lastnightsparty, and hung out for a bit, but ultimately was too tired to continue. I wanted to be prepared for Friday's madness.
Day 2: Woke up at 9AM for brunch at the Pelican, then chauffeured Fabiana to her gig at the Get Wet party at the Standard. Too bad it rained most of the day, but they moved it inside and made the best of it. Next was Diplo and Kelis at the W Belvedere event. This was probably the highlight of the trip for me. Cassidy scored me these Spy sunglasses at the Asics gifting suite, and we ended the night at Vagabond.

Day 3: A relaxing day at the beach with some fabulous beverages from Wet Willie's & some thrift shopping along the way. A night at the White Room Trouble & Bass party for Fabiana, DJ Skeet Skeet, and Tittsworth. This was one of the craziest parties I've been to in a long time. Passed out for two hours and it was time to return to the District. Woke up at 630 AM for the much shorter flight home & slept like crazy.

[the end].

done&done.

2010-03-12T12:15:00.000-08:00

The Done&Done Music Festival, which will be happening on April 10th in DC and on April 17th in NYC, will showcase 6 bands each from DC and New York. These groups on the same stage can bring separate crowds together, raising exposure and the potential for a new fan base. DC is a transient city and is constantly being compared to the New York art scene, so collaboration becomes inevitable.

Patrick Kigongo, Erin McAuliff, and Matthew Taylor have come together to create this unique festival. Tuesday night, they held their second fundraiser, with contributions going toward the rental of All Souls Unitarian Church. The event at Velvet Lounge featured State Department, Honey House, and Young and High, with Taylor on the decks.

Photo by Ben Droz

The music was good, many PBR items were auctioned off, and the event was a success. I look forward to the festival.

up in the club pt 2.

2010-03-09T16:15:00.000-08:00

A year and a half ago, I spotlighted my five favorite district night spots. Things have changed a lot since then. I moved to the H Street Corridor, so I frequent Rock & Roll Hotel, Sticky Rice, and other spots on the block almost every night. And you can always find me at work at The H Street Country Club. Obviously I need to leave this little Northeast bubble for my sanity, so here is where I love to go when I venture out.

4. I still love Asylum. Though SHORTS is possibly over for good, Asylum offers up things that aren't traditional about Adams Morgan. With Rattler shows, loud live music, and DJs there is a gritty ambiance that sets the scene to be wild and free. www.asylumdc.com.

3. Velvet Lounge is my favorite grimy/dive bar to go to in DC. The home of most Exactly shows, its always nice to see some people moshing and really getting into a performance. I like that this is a smaller homier venue where there isn't any pretense or pretentiousness. Always check the calender to see if something great is coming up: www.velvetloungedc.com.

2. The Passenger- Well-made drinks, delicious half smokes, and a neighborhood feel make the Passenger my go-to destination when I'm in Chinatown. Peak hours can be kinda crowded, but it's nicer when it's quiet. A great place to chat with a bartender or friends. www.passengerdc.com.

1. Marvin- In the heart of U Street/Shaw, Marvin is possibly my favorite place to go for dinner, a drink, and a dance. Belgian & soul food, a lounge, a heated patio, and a dancefloor make this a place you can stay from the evening until close. And the Gibson is just a door away. www.marvindc.com.

And a bonus: as a heads up, U Street Music Hall is my most anticipated new venue. It was announced today that Bliss dance party and Nouveau Riche will be moving there in the coming month. This space is going to showcase a gazillion great artists and I'm excited for it's scheduled opening on St. Patricks day.

just a note.

2010-03-01T20:14:00.000-08:00

i haven't fallen off the face of the earth, but close.
working too much and too late to go to shows. boo.
can't wait for winter music conference.

on the beat with judah.

2010-02-02T21:55:00.000-08:00

Judah, a respected DC-based producer, who's latest mix was featured here last week, is bringing unity and camaraderie to the district. He combines music with a message, simultaneously inspiring, beat-making, and supporting local talent. Judah was nice enough to take time out of his schedule and answer a few key questions about hip-hop in the DMV.

[Answers are paraphrased from a phone interview held on 2/1/2010]

1. I really enjoyed the Amber Rose Mixtape. How did you come up with the concept behind it?
Judah: Thank you. Well, first off I'm a man, so there was that attraction. I ran into her at SXSW and then she came to DC and I was inspired. I thought it would be a good creative idea to mix music, fashion, a woman and put everything into one mix.
Laura: And how does Kanye [her boyfriend] feel about it?
J: I'm actually not sure, I've been trying to get a copy out to him, a comment from him would be helpful whether it's good or bad.

2. How do you offset the fact that DC rap is thought to have just broken through, but the history is much deeper than that?
J: I aim to provide history and facts that potentially give DC more national recognition. Nobody knew that it was happening in DC, but it has for fifteen years or so. It is our duty to get out the history and facts about the music scene.

3. How did you get the idea to show the movement through the historic DMV photo shoot and to declare Nov 1st as DMV hip-hop day?
J: The photos have been happening in other cities, and I wanted to take the opportunity to highlight what is going on in the district. It is important to showcase local artists and producers, get our names out, and show that DC does have a rich musical history.

4. What is the role of social media [blogs, twitter] in what you're aiming to do and spreading the word?
J: Social media can be great, but major blogs aren't helping out yet. They all post the same material, and there is no diversity in getting others exposed. Wale is the only thing they focus on when there are many others. In terms of Twitter, it is good for local recognition, but it is more of a network for the scene. Everyone in the area follows each other, but it needs more people from out of town to really be able to promote beyond the region. [Follow him @Judahonthebeat.]

5. What are you working on now?
J: I have a lot of things on the table. There's records with Clipse and DJ Alizee. I've got an instrumental album and a lot of independent work with the majors. I'm working at building a brand and getting back to contributing more on the major label side of things.

6. Do you have anything else you want to say to our readers?
J: We've come a long way, but we still have a long way to go. In terms of DMV music, we need to raise the level and hold artists accountable, but always support each other. We are making strides, but can't stop pushing forward.

malucamala.

2010-01-31T12:13:00.000-08:00

This winter, snow has caused quite a few cancellations of good concerts at Rock & Roll Hotel, but the show must go on. The absence of Amanda Blank on Saturday was definitely a bummer, but Maluca, Nadastrom, and DJ Jackie O held it down.
I ran across Maluca at the Mad Decent Block Party, and was curious to know more about her. After seeing her perform, I will summarize with the word "fierce". The New Yorker, via Dominican parents definitely has a talent and a look. Her red lipstick, long braid, and all-black attire were complimented by energetic vocals and dance moves. She was even performing on her birthday!

Check out the addictive single. "El Tigeraso":

rose for amber.

2010-01-25T17:51:00.000-08:00

"There's no telling what can happen when you put a woman and a beat together." So says the lead-in line announcing Judah's Amber Rose-inspired mixtape release. Monday's launch marks a muse/producer relationship of sensual proportions.

In "The Amber Rose Instrumentals," Judah links up with Dub MD (UK) to yield thirteen short tracks. It is quite different from what I previously heard from him on Durkl's "Survivor Series" mix. The songs range from whimsical to torrid and highlight a variety of samples including Rose's voice. Pairing music and model, Judah tells a full story through this mix. His range makes it clear why he is a highly regarded producer, who has worked with those from Wale to Tabi Bonney. The only question is what does Kanye have to say about all this?

Download

fashion takes flight.

2010-01-19T23:15:00.000-08:00

Tomorrow I will be walking in a fashion show fundraiser for the organization Luke's Wings. Luke's Wings is a great cause dedicated to the support of service members who have been wounded in battle. "Recognizing the immediate need for families to be with their loved ones during such a difficult time, Luke’s Wings provides families with the means to visit during the service member’s hospitalization and rehabilitation."

Hosted by WUSA 9's Angie Goff, the event will feature cocktails, hors d'eourves, and a silent auction. Models and military service men and women ‘take flight’ in a swank, high energy runway exhibition highlighting cutting edge fashion from Washington’s best boutiques and collections by the District's premier designers. Make it out if you can, it should be a fun event!

stewart lupton: a retrospective.

2010-01-03T09:17:00.000-08:00

I didn't quite know what to expect from a Saturday night celebrating Stewart Lupton's rich musical and poetic history. I'd been meaning to make it to a Child Ballads show for some time, but there were always schedule conflicts. With a full entourage expected to perform, I was anticipating fireworks, and I got them.

Everyone came on stage dressed to the nines. The show was driven by Lupton's emotion, coupled with Wurlitzer player Lex Paulson's energy. Lupton's voice is unsettlingly calming, and his harmonica adds dimension. I don't mind the rambling poetry and interjections, as I think it adds to the character of the performance. His lyrics are the highlight, and where his true gift shines through. They even played my favorite Jonathan Fire*Eater song, "The Search for Cherry Red," which has been covered by The Kills. As friends joined the stage, it became apparent that Stewart is much more than the drama he is often associated with. He is capable of putting on a great show with interesting music and nuances.

At the end of the night, I picked up the Cheekbone Hollows EP along with a package of other goods. I'm excited to further explore Lupton's work and possibly work with him in the future.

music resolutions.

2010-01-01T23:33:00.000-08:00

1. get some stuff recorded/play shows
2. go to and write about as many shows as possible
[pavement is going to be epic!]
3. learn to dj properly
4. revisit old forgotten favorites
5. keep up with new releases
6. analyze the intellect behind songs, lyrics, and sounds

see you all this 2010!

it's calling to me.

2009-12-17T10:37:00.000-08:00

I recently came upon the track "Half-Truth" by New York group Dead Leaf Echo. They have announced the 7" single as their first vinyl. It will be released in Custom Made Music, which also houses great bands Ringo Deathstarr and Screen Vinyl Image.

Pulsing guitars and dreamlike vocals in the classic style of shoegaze sucked me in. I'm excited to hear more from them.

readysetdc official launch party.

2009-12-09T10:00:00.000-08:00

Tomorrow, ReadysetDC, official moves out of Beta and launches the new site. To celebrate we will be partying at LongView Gallery. Come join us!

all i ever wanted, all i ever needed.

2009-12-07T20:42:00.000-08:00

I love seeing shows at Rock & Roll Hotel because it is literally a block away from my house. I sauntered in just as opening band, Baywa (NYC), finished up. What I heard was good, and I was kind of disappointed that I didn't get there earlier to see their set. Laughing Man was next and as usual they mashed up a very eclectic collection of rock tunes to get things started.

Tennis System was my favorite part of this particular night because I can always count on them to be interactive and LOUD. They even handed out earplugs before they started. I especially liked when Patrick and Ken of Ra Ra Rasputin joined them on stage for a high volume percussion breakdown. The only thing that would have made it better is a smaller venue. It's easy to get into Tennis System and mosh and dance, but there was only a small contingent in the front who were participating. [DC audiences need to bring it harder for good rock shows.]

I always look forward to seeing and supporting Ra Ra Rasputin because they were the first local band that I really started to follow. The highlight of their set was an ambitious cover of Depeche Mode's "Enjoy the Silence". Those who recognized it seemed to be into it. They also brought members of the other bands on stage for a rousing collaboration to close things out. All in all, it was a really fun show. It is great to see so much cameraderie between all of the DC bands and I love all-star lineups where impressive bands get together. It is an exciting time in the music scene right now with so much going on.

pull up to the drive-thru gimme #9.

2009-11-15T19:01:00.000-08:00

Last night I had the privilege of catching Tabi Bonney at DC9 for Feedback. Stereofaith was backing him on the decks and Lil El & Jackie O also contributed good sets. By the time Tabi went on it was late, liquor was flowing freely, and the hype was massive. Everyone just wanted to party, and were given a great show.

"Rock Bamas" was my standout favorite, but I also loved it when he called the women on stage for a dance-along. ReadysetDC were in the audience filming, and I joined the bevy of girls for some craziness. I also really like "The Pocket" and think it's nice that there's someone out there reppin' NE. These DC rappers are really restoring my faith in hip-hop as well as in the local scene. I hope to see Tabi again ASAP. He has the potential for really big things.

it feels good to be over you babe.

2009-11-09T20:15:00.000-08:00

DMV hip-hop artist Wale's long-awaited full-length album has finally debuted. Although it was delayed many times, Attention Deficit was worth the wait. From the time I heard him on Mark Ronson's DC remix of "Smile" by Lily Allen, Wale was on my radar. When "Nike Boots" dropped it peaked my interest even more. Two years later, the album is here!

Wale's DC pride is what attracts me to him the most. He shouts it out on Attention Deficit, but definitely delves into some deeper topics. Though I favor some songs over others, each track shows serious growth from his earlier work. My favorite song is "Contemplate." Rihanna's hook adds a dimension to the haunting sound and lyrics. The subject matter ranges from relationships, fame, and death, asking how much someone can take before they hit a limit. There are also a lot of incredibly fun tracks. I liked "Chillin" for a first single because it is uber catchy and draws attention to itself with Lady Gaga. I also love other singles "World Tour" and "Pretty Girls". The collaborations are integral. Wale and the producers made the most of their connections in order to put together some hot tracks.

Conversely, I'm not the biggest fan of all the beats, but there is space to grow with that. The vocals are hot and I praise what Wale did with his debut. I will never hesitate to support him as a local rapper with tremendous talent and potential.

EXACTLY HALLOWEEN take 2.

2009-11-02T22:52:00.000-08:00

I would describe Exactly! as the most bloody energetic band I've ever seen. Literally bloody. And Halloween is the perfect time to catch them in their element. This year's show at the Velvet Lounge was no exception, with the usual Christmas lights setting the scene and a "Hall-O-Ween" intro song. I liked 2008's blood and tighty-whities combo, but this year it was men in powdered wigs, tights, and of course blood! Some may dismiss them as gimmicky, but that's what makes them fun. They never take themselves too seriously and it works for them.

To me, Exactly have the best of both worlds: charisma and stage presence, while proving to be genuine and determined about their music. They have made a lot of progress since debuting at SHORTS last year; and even when the music was still in the early stages, the audience could always count on a spectacular show. I like that they aren't afraid to play developing tunes like "Broken Leg" so they can gauge audience response and keep tweaking things. It points to a process where they allow things to evolve on their own to a certain extent, while still putting in the necessary work.

"Dying All Around Us" is my favorite of their songs and it is particularly catchy. A recording can be found on the DURKL mixtape, produced by Judah. Dueling keys and driving percussion are matched with fervent vocals to make up a complete and layered sound. "Jenny's Fine," always a crowd- [and Kigongo] pleaser also never fails to disappoint. Adrian Parsons and Jesse Bishop play off of each other quite a bit, while Cole Sharp keeps everything going at the drum set. Finally, Cole debuted as a vocalist during the final song, a cover of "96 Tears." This show pointed to just how diverse this lot is and how much more they have hidden up their sleeves. All in all, they go for it, and we love them for that.

remembering the last thing she said to me.

2009-10-30T10:44:00.000-07:00

Burgeoning DC band, Tennis System, put on an epic show Wednesday night at the Velvet Lounge. I liked the psychedelic recordings queued before each song and the strobe lighting to set the atmosphere. Elements like extreme energy, noise, and volume made for a lasting impression, as it was my first time seeing them perform. It was hard to even see guitarist Drake Eidson's hand strumming the guitar because of the visual effects and intensity. Bassist Clinton Cole had his back to the audience for many of the tracks, adding to the surreal vibe. Tennis System successfully combine noise rock and melodic vocals with psychedelia and just a hint of shoegaze. I particularly liked "Esoteric" and "The Web." It was during that final track where singer/guitarist Matty Taylor catapulted off the stage and really brought everything full-circle. I look forward to the There Comes A Time EP.

U.S. Royalty are always reliable for putting on a good show. Even though I've seen them many times, the addition of some newer songs and a cover made for an interesting performance. Matthew Hemerlein joined them on a Talking Heads track called "This Must Be The Place (Naive Melody)". His violin really added a new sound to the group and this was my favorite of what they played. They closed with "Winter Wind," a track that showcased each member's talents and showed that U.S. Royalty just keep getting better. They stated that they are spending time writing, which means there's much more to come in the future.

Previous USR Post

love conquers hate.

2009-10-29T10:18:00.000-07:00

Last Night I had the opportunity to attend Love Conquers Hate at the Human Rights Campaign. It was a landmark day for civil rights and LGBT rights because President Obama signed the Matthew Shepard and James Byrd, Jr. Hate Crimes Prevention Act into law. This has been a long time coming, and it is now over eleven years since Shepard's ordeal and tragic death. Daniel and Judy Shepard spoke about hope and progress in the incredibly moving and emotional ceremony.

What is the Hate Crimes Prevention Act?

The new law gives the Justice Department the power to investigate and prosecute bias-motivated violence where the perpetrator has selected the victim because of the person's actual or perceived race, color, religion, national origin, gender, sexual orientation, gender identity or disability (HRC).

I wanted to call attention to this because it is important to write congress and let them know that we want to keep moving forward for equal rights. This victory is great, but hopefully there are many more to come.

let's go somewhere sunny, let's go and waste some money.

2009-10-27T12:28:00.000-07:00

It is hard for me to know where to start when I know that a night has been one of the most fun I've had in a while. Ringo Deathstarr are one of my favorite bands, and whenever they come to town it makes for a great show and a wild party. I knew to expect this when I headed to Black Cat on Monday night. The bill was stacked and I was in it for the long haul.

I was excited to see State Department open up for their first performance. I've been following Patrick Kigongo's groups since the formation of Ra Ra Rasputin and was curious to see how the new group would sound live. They pulled in a good crowd and got into their set as people danced. It was a little straight rock for my tastes, but I really enjoyed "The Way to a Man's Heart is Through His Chest" and "Columbia Road", which was dedicated to Exactly's Jesse Bishop. Those songs edged a bit more to the loud, post-punk end of the spectrum. State Department are off to a promising start, but I was left wanting a bit more. As much as I like simplicity in musical composition, I would like to hear more feedback or dimension with these songs. I look forward to seeing how they progress as a group.

Last Tide were next, and they are quickly rising to the top of my list of talented DC bands. The addition of Kigongo as a second guitarist adds a lot to the already polished repertoire. This show was their EP release, so they were giving away discs and buttons to the lucky audience. They went through the EP as well as some unreleased tracks. It was an intense and ethereal set that didn't fail to highlight each members mastery of their chosen instrument. Watching them almost makes me feel like I'm in the late 80's seeing the indie scene shaping itself. The Broken Places is definitely one to add to your music collection.

And then finally came time for Ringo Deathstarr. Because the band operates out of Austin, I don't get to see them as much as I'd like. This was the first time I got to hear many of the newer tracks live, and I was impressed. I love hearing the noise and waves of feedback reverberate at the Backstage. These guys have the shoegaze experience in full effect. I admire the ease at which they place a melody over carefully measured discord to create a masterpiece. "Starrsha" will probably always be my favorite, but "So High" really got everyone into it. In the end, Kigongo was involved in all three sets as Alex Gehring handed off her bass during the last song. Happy chaos ensued with bodies and equipment hitting the stage with full force. It was the perfect ending to probably the best show I've seen all year.

The night did not end there, but what happens in Bloomingdale stays in Bloomingdale...for the most part.

Previous Ringo Post
Previous Last Tide Post

DMV so we used to the waitin.

2009-10-17T10:32:00.000-07:00

Yesterday afternoon, a very interesting article from the Washington Post arrived in my inbox. "D.C. Hip-Hop: Can it Break the Hold of Go-Go?," by Chris Richards, will be featured in Sunday's paper. It features a look at local DMV hip-hop artists poised for national success. Check it out here!

2047.

2009-10-13T10:30:00.000-07:00

The District of Columbia is not known for being a particularly stylish city. DURKL is a clothing company set out to expose that as a misconception. The brand was started by Will Sharp circa 5 years ago, and has since grown immensely around DC & in national and international markets. With the addition of brother Cole Sharp, and later Lucas Pierce, DURKL has become a staple amongst those who dare to be bold and "make fun" 24-7.

DURKL's unique take on streetwear has connected with musicians, emcees, DJs, producers, skateboarders, bikers, and partygoers. They have found a way to please these niche consumers by always providing something new and interesting. Never ones to shy away from color, each line includes something so out of left-field (in a good way) that I often wonder how they came up with the idea. My favorite example of this is last season's grey jeans with aqua back pockets. The Fall 2009 Collection plays on a bit of a mature edge by incorporating tailored flannels, button-downs, chinos, and snap-backs. With every line the brand grows, but still includes outrageous and funky garments. Rest assured there is always a sassy element to set these pieces apart from the competition.

The DURKL boys now have a studio and store space in the legendary Gold Leaf building. Be sure to stop in and check out the gear at 443 I St NW or peruse the online store. Prices reflect high quality, detail, and local design. It's definitely worth it.

DURKL on Twitter
DURKL on Vimby

ones and twos.

2009-10-11T19:16:00.000-07:00

There is definitely an up-and-coming "H Street DJ culture." Venues such as Little Miss Whiskey's Golden Dollar, Rock & Roll Hotel (upstairs), Sticky Rice, and Jimmy Valentines cater to dance nights and DJ sets. This is a great way to supplement the nightlife culture in the city as the H Street Corridor continues to gain popularity. Check me out at Jimmy's NEXT SUNDAY October 18th for indie, post-punk, shoegaze, and everything rock!

well the stakes of the game seemed fine...

2009-10-04T09:08:00.000-07:00

The new Built to Spill album is phenomenal. When my friend told me this, I went to stream the entirety of There Is No Enemy on their Myspace. I have always liked them, but this album has catapulted them into one of my favorite bands. The softer songs like "Hindsight,"Nowhere Lullaby," and "Life's a Dream"definitely stand out. Be sure to pick it up when it drops on October 6th.

i love the way she said LA.

2009-09-28T11:08:00.000-07:00

My latest mix was made for my friend who is moving from DC to LA tomorrow. It is a grouping of feeling, well wishes, borrowed songs, tunes to drive to, and a bit of self promotion. Here's the tracklisting:

1. starrsha- ringo deathstarr
2. you're making this hard- sweet jane
3. a traitor in my mind- last tide
4. bled white- elliott smith
5. rip it up- orange juice
6. nantes- beirut
7. you're only king once- beulah
8. the d in detroit- the anniversary
9. coast to coast- the jesus & mary chain
10. sixteen- skywave
11. elevate me later- pavement
12. gentle tuesday- primal scream
13. the wait- the american analog set
14. poetaster- miracle fortress
15. blue jeans- blur
16. berlin, without return- voxtrot
17. fortress- the glands
18. just like honey (home demo)- laura reading
19. (david bowie i love you) since i was six- the brian jonestown massacre

you know that we already know you.

2009-09-19T13:27:00.000-07:00

Last night I stumbled upon my latest musical obsession, Miike Snow. I went to their show at Rock & Roll Hotel without ever hearing any of their music. I was pleasantly surprised with the performance I was treated to. The Swedish-American electronic group has been described by The Guardian as "cooly emotional pop [that] suggests A-Ha meets Animal Collective." Here is my favorite track & a stellar music video:

PAVEMENT REUNION!!!

2009-09-16T16:40:00.000-07:00

Yesterday, Brooklyn Vegan was abuzz with tales of a rumored Pavement reunion. Today it was confirmed, with Pitchfork stating that they "will perform a benefit show at Central Park SummerStage on September 21, 2010." After over 10 years apart, Malkmus & co will come together. This leaves the doors open for even more performances and the possibility of a tour. I will finally have the opportunity to see them live. I AM ECSTATIC! HOORAY! Only a year away...

EDIT 9/25/09: Got tickets to the 9/24/2010 show in Central Park. Whoo!

i get serious in the fall.

2009-09-14T01:28:00.000-07:00

Before Beirut was a band, it was solely Zach Condon. When he was fifteen years old, Condon put together a brilliant record full of untitled tracks. It was called The Joys of Losing Weight. His command of strings, synth, and melody was already apparent. A friend of mine sent me this rare compilation during the dark winter months of early '09. As we step into cooler weather again, I revisit it as a calming yet melancholic force. If you can find it, scoop it up immediately, and if you want it maybe we can arrange something...I can't sleep, and so I blog.

Reminiscent of this earlier work is "Nantes" from The Flying Club Cup (2007)

i'm on a boat!

2009-09-11T20:40:00.000-07:00

In early August, I participated in a video shoot for the Party Bros track "Ooh Bay Bay." Set at the Sharp family pool, the theme was sun, fun, and there's a Corvette in there too. The day was fruitful, and everyone waited patiently in anticipation of the finished product. Tuesday was the official premiere, which first took place on the "Celebrity" yacht and then migrated over to Wonderland Ballroom. A good time was had by all.

And so, without further adieu:

More About The Shoot
More About The Boat

slim thugga...

2009-09-08T06:35:00.000-07:00

This song has become my current jam to listen to while I walk around the city. "Three Kings" by Slim Thug, T.I., and Bun B is included on Ratatat Remixes Vol. 2 (2007), the second self-released remix album by the Brooklyn rock duo. On the whole, I find Ratatat hip-hop remixes to be a bit busy and harder to listen to than the original tracks. However, "Three Kings" thrives on the upbeat tempo and electronic backing. It definitely denotes a feel-good mood.

i don't think i'd risk another these days.

2009-08-27T22:20:00.000-07:00

As a bit of Warhol fanatic, I discovered the song "These Days" through a Nico documentary. Jackson Browne wrote the tune at age sixteen, and it is one of the most emotional songs that I've connected with. Nico's version is severe, as is much of her work, but it is poignant and reflective. That being said, I've found a cover by St. Vincent that nearly makes me cry upon each listen. Vocally and musically it is very close to perfection, and I'm incredibly particular about female vocalists.

Browne
Nico
Elliott Smith cover

mad decent.

2009-08-16T13:01:00.000-07:00

Yesterday I traveled up to Philly for the second annual Mad Decent Block Party. Diplo is one of my favorite DJs so I never miss a chance to see him. Got there mid-festivities and immediately ran to the free food that was being grilled up. The crowd was large, tunes bumpin', and Diplo was on the roof straight chillin', tossing shirts down. A costumed "dog" in a Michael Vick jersey was wandering the premises, to play on the fact that Vick signed to the Eagles. The DC crew was in full effect and it was good to see so many people I know had come out.

What I like the most about parties such as MDBP is the general sense of camaraderie and community. Everyone was drinking, dancing, and just having a good time. I appreciate it when artists make the effort to break down the barriers between themselves and the fans. I don't think an event this good and lax would happen in DC because of all the bureaucracy.

In terms of the music, I could have done without the so-called bands that were playing. I think I described the sound as "jibber jabber" because it was all a generalized loud muddled noise and random vocals. Many were into it, but it's just not really my thing. The DJs were all great though. They had everyone hyped up and ready to jam. I definitely hope that this summer tradition continues next year.

but for you it's just what you were told.

2009-08-10T23:35:00.000-07:00

Bands like Last Tide revive my faith in the DC music scene. It was packed at DC9 for a Monday night, and the bill was quirky with an indie band opening for an afro-beat outfit (NOMO).

photo credit: Patrick Kigongo

As Last Tide took the stage, I first noticed guitarist/vocalist Nate Frey's pink sparkly Di Pinto and keyboardist/vocalist Libby Dorot's flashy outfit. However, once the music started all attention to visuals faded and I was in auditory heaven. Dark, noisy, synth-y, minor, with some upbeat moments, the music is right there with what I enjoy. It has a unique shoegaze influence and showcases the ability to be both simple and detailed. The guitars and effects are well-played and well-placed along with good solid vocals on both ends and attention to the use of reverb. All parts work as a whole with harmonies, integral basslines by Rob Miller, and steady percussion by Misha Alexander.

Other highlights include a spot-on cover of "Memories Can't Wait" by the Talking Heads and, my favorite of their original songs,"A Traitor in My Mind." The lyrics call to mind melancholic relationships ie "this time I didn't bother begging/ cuz I knew you'd never stay." A close second, they closed their set with "Shadows in the Rain," which built until denouement and slowly tapered off. It was a perfect way to end things on a high note.

I wanted to have these songs on my iPod right away, and thankfully the recording process is occurring now. The main thing that I took away from this show is that I like music that makes the listener think about a deeper meaning.

Myspace

say yeah, cinderella.

2009-08-01T17:25:00.000-07:00

DC's BOTTLES/CANS is a group that packs a powerful punch with a bit of a soft touch. With the official CD Release, on Thursday, August 6 at Rock & Roll Hotel, I wanted to talk a bit about their debut album Only, Please.

Recorded at The Bastille, part of the Inner Ear Studios in Arlington, the final product is a pleasing rock record. Opting for live studio recording and a more limited production style, they left in banter between songs and certain imperfections. I like this because it adds realness and grittiness, which keeps a true rock edge. This is not a group that needs a lot of smoke and mirrors in order to sound good. There is a lot of strength and energy coming from the guitar and the drums. The vocals are confident, with well thought out melodies and harmonies. And stay tuned until the very end, there is a gem.

Kevin Eskowitz, Zach Pentel, & Brendan Polmer are BOTTLES/CANS. Only, Please will be available on iTunes, Amazon, Rhapsody, etc in mid-August.

& i don't know you, baby, you don't know me.

2009-07-28T05:28:00.001-07:00

Yesterday, I found out through Twitter that Voxtrot has posted a new song on their Myspace. Ramesh released the track on his second DJ installment for the Portuguese radio station RADAR Liboa 97.8 FM.

In contrast to the last single, electronic-driven "Trepanation Party," Berlin showcases a more minimalistic sound. Classic piano and strings stand out behind interspersed foreign dialogue. There is a purposeful dissonance as if the track was meant to sound a bit haphazard and articulate a more intimate "in the moment" feeling. Vocals are sometimes off-key, but in a way that fits in with the nostalgic melancholy of the lyrics. It is clear that Ramesh has put a lot of his emotions into the vocals even though the melody and lyrics are on the simpler side. It all has an understated coolness to it. I enjoy the more grown up sound that is developing with these new releases and I look forward to seeing where they go next.

get radio podcast here

we swim with sharks.

2009-07-19T23:13:00.000-07:00

...and fly with aeroplanes out of here.

Cat Power is my current trying-to-go-to-sleep music. "Lived in Bars," off of The Greatest (2006), is in particular one of my favorites. This somber track features Chan Marshall's deep airy vocals set to a building backing band. I am attracted to the doo-wop aspects and backing vocals, which take the track from a tortured mood to a more upbeat jazzy tone.

hey mr. dj...

2009-07-14T11:18:00.000-07:00

With the help of local artists, Adrian Loving is the spearhead of an alliance to bring recognition and respect to career-DJs. The Deejay's Coalition is an organization formed to create an awareness and understanding of social and professional issues within DJ culture. This collective hopes that the "Deejays Are Not Jukeboxes" Campaign can bring important matters to the forefront in order to create a cultural consciousness amongst both DJs and partygoers.

Loving's concept will integrate local and global music scenes in an effort to educate employers and audiences about what it really means to be a DJ. An article by Karen Sommer Shallett in DC Magazine's July/August 2009 issue further articulates the cause by explaining:

Loving gathered 15 DC Djs together to create the “Deejays Are Not Jukeboxes” public-service announcement, which he hopes will raise the volume on respecting your DJ.

The bold (and even amusing) street-art campaign will be visible starting in mid-July in Northeast and Northwest DC public spaces and on flyers and T-shirts in clubs throughout the city. For photographer Abby Greenawalt, who shot the campaign, the creatives were ideal inspiration. “Being a DJ is part of who they are—it’s very personal,” she says. “I wanted to capture emotions that aren’t always associated with these individuals.”

So check it out, look for more to come, and remember that a DJ is not your personal iPod!

put your foot in my nikes.

2009-07-11T22:40:00.000-07:00

A tune as catchy and captivating as it is inspirational, Maino's "All the Above" tells his motivating story. This Brooklyn-born rapper emerged from prison in 2003 and founded Hustle Hard Entertainment. He decided to pursue music and found breakout success in first single "Hi Hater" (2008). "All the Above" speaks about how Maino overcame his struggles and hardships by always hustlin' and keeping his head in the game. He never gave up. The narrative is accented by a fantastic T-Pain hook and Just Blaze's done-up production. This song has been stuck in my head for a good while and will probably remain there.

honey you scared yourself.

2009-07-07T17:00:00.000-07:00

I've always liked the atmosphere at Solly's Tavern. I enjoy small and intimate shows, plus when I played there it served as a relaxing environment. As I watched Honey House set up on Monday night, I waited in anticipation for what I would hear. Because this was their first show I wasn't sure what to expect.

This is what they say:

Honey House is trying to bring back American Rock & Roll. The swagger, the danger, the mystery. The House are giving it a go. They're walking down that hallway baby. They've been rehearsing in Chinatown for months, crafting their sound like a blacksmith sweating over hot coals. Frontman Jeremy Mohler churns out poems in a baritone croon, lead guitarist Denmark Luceriaga is incendiary. Matthew Moroney's smooth finger-picked bass grooves with drummer Josh Davis' freightrain of drums.

My first impression was that they were put-together, eclectic, solid, and classic. Though they seem heavily influenced by 90's alternative rock, think Wilco/Jakob Dylan/Ryan Adams, they bring something unique with them. The instrumentation was great. I loved the acoustic-electric, the Rickenbacker bass, and the use of a broad range of dynamics. Vocally it was intense and emotive, with some nice harmonies thrown in by Moroney. I also thought the percussion stood out and was inventive.

photo credit: Maryanne Drury

Overall, it was a great first show. They really got into it with the last two songs and started to jam. I hope to see more of that in the future. Honey House are definitely ones to watch as they continue to feel things out and progress.

unhappy girl, you're out of time.

2009-07-06T21:29:00.000-07:00

Another band that has taken on various genres, Primal Scream have been a go-to for me lately. This Scottish group formed in 1982 and continues to this day. Their early & jangly stuff will probably always be my favorite, so I will speak here about their debut album. Sonic Flower Groove (1987) was written by ex-Jesus and Mary Chain Bobby Gillespie, and by Jim Beattie. Beattie left the band after this album, thus accounting for some of the differences in sound.

the anniversary.

2009-07-04T00:00:00.000-07:00

Happy 1st Birthday to the Radiobolical blog!
thanks to everyone for a year's worth of inspiration.

you're in the mix with nouveau riche.

2009-06-25T13:32:00.000-07:00

Steve Bock and Andrew Wallace are two of the nicest guys I know. Also known as Steve Starks and Nacey, these fixtures in the District music and party circuit have put out an EP that packs the heat. The Starks & Nacey EP is an ambitious collection that manages to hit all the right notes. As DJs and producers, Starks and Nacey never fail to deliver innovative and fun material. Taking cues from house, electro, and hip-hop these tracks will keep you dancing. Recently, they have been generating a high level of hype, and hopefully they continue to receive the attention they deserve.

Be sure to catch them, with fellow Nouveau Riche DJ Gavin Holland, on the last Saturday of each month.

DOWNLOAD HERE

treat me like i fucking matter.

2009-06-23T13:57:00.000-07:00

Emotion is what I notice right off the bat about The Laughing Man. This DC-based group puts feeling into everything they do and exude and air of living in the moment. Their show on Monday at DC9 was no exception. The simple set-up of one guitar, one bass, and one drum kit translates to elegance on stage, especially with the addition of a sax solo. At first listen, the music may seem to have a hard edge, but underneath there are many layers including influences of jazz, funk, and soul. This infuses the tunes with a bit of a retro vibe. The vocals sit in the front of the mix and add melodic pieces to a heavier background. Singer/guitarist Brandon Moses shows personality and raw passion with his role, while drummer Michael Harris and bassist Luke Stewart mesh well to keep the beat and increase the funky feel. All in all, DC9 was an intimate setting where the real elements of The Laughing Man showed through to reveal a unique band. I look forward to an interview with them in the near future.

The Paper Chase, from Texas, headlined. This noise rock outfit is definitely more loud and alternative than The Laughing Man. Though they are a bit more hardcore than what I usually choose to listen to, they put on a good and energetic show where the music really stood out.

[CROSSPOSTED ON READYSETDC]

walking back to you is the hardest thing that i can do.

2009-06-14T20:19:00.000-07:00

After hearing snippets of The Jesus and Mary Chain for years, but not knowing who was behind the music, they came to my attention when I bought a Filter Mag in the summer of 2005. I was drawn to the article by the unique band name and I proceeded to read a fantastic interview with singer and guitarist Jim Reid. Since then, I have only become increasingly enamored with the Scottish shoegaze/post-punk band. From their formation in 1983 until their near-decade long disbandment in 1998, the JMC spanned a wide range of sounds and genres. The often volatile partnership between brothers Jim and William Reid was able to produce musical genius.

The JAMC's first two studio albums are vastly different from one another. Psychocandy (1985) begins on a semi-quiet note with the veiled "Just Like Honey," made especially brilliant by Bobby Gillespie's percussion. But, it is quicky noticeable that this album is all about feedback as it continues to build up. What makes it unique is that melody is never far from the forefront. No matter how much noise they made, the reverberating vocals and underlying gentleness still manage to show through. With Darklands (1987) came a shift to softer guitars and electronic drums. It has a much more mellow sound, but they executed the change with ease, losing nothing musically. In my opinion, it is often times more listenable than Psychocandy, but neither is inherently "better" than the other.

The following album, Automatic (1989), is a sort of mixture of the other two. It includes "Head On," which became a classic cover by The Pixies. Although it has not received as much attention, perhaps for its less abrasive and more synth-heavy approach, I still greatly appreciate the songs and sounds.

Notorious for short gigs and antagonistic shoegaze tactics, like performing with their backs to the audience, a Jesus and Mary Chain show was often enough to incite a riot. They were simply always a band who did what they wanted. That is, up until the drama became too much and William Reid walked off stage in 1998, angry that Jim was in no state to perform. Luckily, the brothers seem to have reconciled and they continue to exude their trademark effortless cool as they currently work on new music.

Links:
Never Understand (1985)
Just Like Honey live (1985)
April Skies live (from Darklands)
Take it (1989)

For extended listening, I highly recommend the compilation The Power of Negative Thinking: B-Sides & Rarities (2008).

the wait is over baby, you're free to go.

2009-06-08T22:13:00.000-07:00

California experimental/pop/rock group, dios (malos), make music that is both simple and good. The self-titled album dios (2004) has helped me through some recent sleepless nights. It is mellow and listenable, but still intelligent enough to hold interest. Who else can call to mind both Animal Collective and the Beach Boys?

My favorite song right now:

and it's all in the way that you hold up your head.

2009-06-01T23:41:00.000-07:00

US Royalty, a DC based rock band, have so much local hype that any blog I write won't compare. But, after tonight's wild, Jameson-infused performance I really want to speak on one of my favorite district groups. Bringing in my own perspective, they are an extremely talented, friendly, and fashionable group of guys who are always down for some hijinks after a show.

The exact genre of their tunes is really undefinable because they draw from so many different influences. Hints of classic rock and R&B blend with pop-caliber hooks. They are very vintage to me. Live, they light up the stage, all working together to bring energy and create flawless sound. John Thornley's soulful vocals are reminiscent of past rock bands where it was actually important to be able to carry a tune. While John is handling lead vocals, keys, harmonica, and tambourine, his brother Paul is on lead guitar. Paul is one of the best guitarists I've seen and he also throws in backing vocals. Jacob Michael and Luke Adams contribute rhythmical bass and drums, completing the foursome.

US Royalty really seem to have the skills and drive to succeed on a great scale. They are definitely ones to watch. Check out their tunes on Myspace. Here is a video of my first favorite USR song, "Raincoats":

John Thornley and Ryan Wakeman also throw an amazing, chill weekly every Wednesday at Chi Cha Lounge.

you and tequila make me crazy.

2009-05-19T10:00:00.000-07:00

Soon, I will be working at a place that I truly support. It is an Atlas District restaurant/bar, the H Street Country Club. This establishment will feature Tex-Mex food, unique drink options, and a gaming area that includes pool, shuffleboard, skeeball, and 9 holes of indoor miniature golf.

The setting radiates a whimsical aura, with each detail artistically thought out. For example, one of the mini-golf holes boasts Marion Barry as The Awakening. This is definitely a place where relaxation, letting loose, and fun are encouraged. It is an ironic play on the hoity-toity exclusivity of country clubs. No reservations will be taken, but HSCC will be available for private parties.

There is a no-fuss downstairs menu, with low-priced bar food and a more Texan focus. Upstairs they pulls all the stops including duck and lamb entrees and delicious pairings. The wine list is amazing and the house drinks are complex. There are 20 types of tequila and an endless list of new things to try.

And since this is leaking all over the internet, I expect to see all of you out there for the Grand Opening, next week, on May 27th. Get ready for the excitement!

1335 H Street NE

Washington DC 20002

202.399.HSCC (4722)

http://www.thehstreetcountryclub.com/

he's phony, she's fake...

2009-05-15T22:32:00.000-07:00

...that's the type of people I hate.

I am not known to be Jadakiss's biggest fan, but this song is highly addictive. The real gon' win, the fake gon' lose.

my thoughts are getting banal.

2009-05-11T18:58:00.000-07:00

When I started REALLY listening to Blur, Parklife (1994) was my favorite of their albums and I still thought Oasis were the superior group. A lot has changed in the past 3 years. I adore Blur and cannot stop revisiting Modern Life Is Rubbish (1993). Every song is meticulous. In fact, my blog name comes from the line "She's a twentieth century girl" out of "For Tomorrow."

I would really love to see Damon Albarn, Graham Coxon, Alex James, & Dave Rowntree performing together again. I'll leave the music to speak for itself, and conclude with lyrics from "Blue Jeans," one of my favorite songs ever.

and don't give up on me yet/ dont think i'm walking out of this/ she don't mind/ whatever i say, whatever i say/ i don't really wanna change a thing/ i wanna stay this way forever.

Edit 5/20/2009: Blur have announced reunion shows and plan to add US and European dates. Yes!

breaking the ice.

2009-04-27T11:34:00.000-07:00

It all started when WMUC's own Andrew Quang asked me if I wanted free tickets to Jeremy Jay at the Velvet Lounge. I said "sure" and the rest is history. I ended up seeing the band and then another solo set at WMUC. Exactly opened, but they deserve their own entry for me to explain them, so I will begin with just Jeremy.

At first glance, Jeremy reminded me of Alex Kapranos with his sunglasses, striped shirt, and Euro vibe. Because he is an artist on K Records, I expected a pop show, but I got a bit more. The band was extremely energetic, jumping up and down and dancing while they played. Instruments were interchanged and twee pop gold was belted. Most of the songs on Slow Dance (2009) are catchy life, learning, and love stories set to the beat. I really enjoyed the set and "new-to-me" music.

It was also a treat to be able to see the solo set and hear stripped down versions of the songs. This performance had a more innocent and angelic vibe to it. I liked the raw simplicity that allowed the vocals to shine.

Last.fm describes Jeremy as "elusive...Like Buddy Holly, Peter Pan and John Hughes movies rolled into one. He’s pure Storybook." In my experience, he is one of the more pleasant performers I've had the pleasure of having a conversation with. But, it's true, he loves his Warhol Superstars, Pretty In Pink, Neverending Story, and The Goonies.

Beautiful Rebel

don't tell me to try to control myself.

2009-04-24T22:45:00.000-07:00

Recently, I have reignited my interest in The Popguns, a British jangle pop group hailing from Brighton. Formed in 1986 and active for a decade, The Popguns were endlessly both catchy and emotional. Vocalist Wendy Morgan is a true star with her effortless ability to wail sentimental and sometimes snarky lyrics while rocking a rickenbacker. To quote another blogger, "She is able to give seemingly the most innocent phrase just the right amount of spite, hurt or tenderness it deserves." I've been listening to "Don't Smile" a lot for that very reason.

I highly recommend The Popguns best-of entitled Another Year, Another Address. Released in 1996 by Cherry Red Records, this album includes many rare and amazing songs from the band's time at Midnight Music.

cuz we had it, we was magic.

2009-04-20T00:32:00.000-07:00

On a bit more of a top-40 tip, "Knock You Down" by Keri Hilson featuring Ne-Yo and Kanye West, is a killer track that I discovered while randomly watching 106 & Park. This song is undeniably catchy. The harmonies on the chorus are perfectly arranged and addicting, Ne-Yo's verse sounds great, and Kanye has done something to restore my faith in him. The song tells an honest love story, with each person giving their point of view. This all-star line-up has delivered another hit and the video adds depth.

does she love you? you suppose.

2009-04-07T11:28:00.000-07:00

The Brian Jonestown Massacre last night at 9:30 Club was hands down one of the best shows I have ever attended. In terms of technique, they cannot be matched. I was impressed at the synchronicity and ambiance that the eight-piece group brought to the stage. Those who have seen DiG! (2004) know that the BJM have a drug addled and violence infused reputation. None of this was apparent as they breezed through their two hour set. They all just seemed like a bunch of old friends coming together to make spectacular music.

I was incredibly excited to see a BJM near to the old line-up, with Matt Hollywood and Joel Gion on the stage. Matt was able to perform some of his original songs and Joel added his bizarre and fun style of tambourine to the mix. Anton was his usual eccentric and neurotic self, but he was all business about the music. His voice was flawless, which is hard to believe with all the smoking and drinking that was going on.

My favorite parts were "Who?," "When Jokers Attack," and "That Girl Suicide." The west coast rock/neo-psychedelic sound is something that they have perfected. They managed to end in an even more amazing fashion, with the long version of "Swallowtail." As each member left the stage, they propped their guitar against their amp and let it feed back. They each said a separate thank you and walked off. Then, the tech went around and turned each amp off individually, letting the sound peter out to nothing. The house lights came on, but no one was ready to leave.

Afterwards, I headed to the Velvet Lounge where we were later met by Frankie Teardrop and Collin Hegna. It was awesome to have a chance to chat with them about the show and their experience with the band. I was a bit disappointed that Anton and Matt never showed up, but apparently the rest of the BJM was back at the house either sleeping or arguing. Regardless, it was a great night for music.

Watch:
When Jokers Attack

welcome to miami.

2009-04-04T12:00:00.000-07:00

Winter Music Conference 2009 was no exception to the fact that MIA really pops off like in the Will Smith joint. Over a decade after the song was released, I still heard it in nearly every cab I took. The trip was filled with sun, surf, spa, sippin', and sets by some of the world's most notable DJs. The party was pretty much non-stop so I'm just gonna talk about some of my favorite moments.

A lot of the action went down at the Gansevoort rooftop Plunge. This was an awesome spot because the ocean is in view, there is a rooftop pool, and, well, we saw Dennis Rodman. Ca$$idy and Fabiana DJed here on our last day in town.

The Scion parties were nice because they were in the sand. The high point of these two days was definitely the finale duo of A-track and DJ Mehdi.

My favorite parties were the Armani Exchange afternoon events and the Le Baron party at the Raleigh. Belvedere and Monster sponsored, to make things more amazing. Rye Rye stole the show with her performance at the AE party, reminding me why I love her so much. Le Baron featured Mattie Safer of The Rapture, DJ Medhi, and Erol Alkan. They killed it.

Before I knew it, it was our last night in Miami. Here we are sitting at Rokbar, anxiously awaiting heading to the Mad Decent party to see Diplo, etc. Lil' Jon ended up being the special guest. I especially enjoyed Trouble & Bass, though, because they had one of the most energetic performances I have ever seen. Rusko also delivered an impressive set, but I couldn't krump to it.

Mad Decent started to get a little bit out of control (i.e. man in a dress on a bicycle on some kind of psychedelic drug(s)) so we went back to crash at the hotel. The next night as my flight landed I was tuckered out and so happy just to see the Washington Monument blinking at me. But I won't forget my first trip to Miami: Party in the city where the heat is on.

LINKS:
Miami
Shake it to the Ground

i will always be the outlaw for your love.

2009-03-30T11:02:00.000-07:00

Ramesh Srivastava has still got it in terms of vocals, haunting melodies, and lyrical genius. The new Voxtrot track "Trepanation Party" makes this clear. The question is whether their newfound electronic sound stems from the undeclared absence of stellar guitarist Mitch Calvert. Ramesh addressed the band's quietude only in saying:

Regarding our absence, sometimes one needs to disappear in order to regroup; situations change and human beings are swept here and there by the marvelous ebb and flow of culture. And so, there can be only this: a return to a love of music.

I adore "Trepanation Party" for its metaphor and attention to an individual's reality. Voxtrot lyrics always find a way to have a resonance and relevance to my life, making me listen over and over again because of the connection. The music I would say is just okay, following along the heels of some kind of New Order or Depeche Mode cover. I think I could do without the new direction. In the end, I will always cherish the days of the Raised By Wolves EP, but this track does enough to keep me wanting more.

DOWNLOAD HERE
radio interview with ramesh

back it up on me.

2009-03-14T20:36:00.000-07:00

I haven't felt so hyped about a song in a long time. "Neva Believe U" by Mavado, a Jamaican dancehall artist, has me dancing whether it's in my room or out in the club. I don't even usually like dancehall! Something about the key is perfect and the dirty lyrics add to the charm because everything sounds better in Jamaican Patois. This song was tweeted about by Diplo and made the rounds to me via DJ Gavin Holland. Looks like Gully God has a summer jam on his hands.

& for all kinds of hot joints, download the Nouveau Riche for DURKL mixtape free from http://durkl.com/.

we're too old. we're not old, old at all.

2009-03-11T23:17:00.000-07:00

Last night I headed over to The Black Cat to check out Nunchucks and The Antlers. It's been a while since I've seen a band live without hearing any tracks first, so I just dove in. Ronald was gracious enough to comp me on the "food stamps list" so that us poor folk can stick together and see live music. His band, Nunchucks, are a high energy rock group hailing from the DC metro area. They are a solid group and put on a great show. The songs are catchy, they have coordinated moves, and had the backstage dancin' a bit. Check them out at www.myspace.com/nunchucksrock.

The Antlers, out of Brooklyn, have a more ambient sound. Their set had a very ethereal vibe to it. During "Bear" and "Two" my eyes were glued to the stage. The vocals were tender yet strong and the instrumentation suited the songs and set a mood. Look 'em up at www.myspace.com/theantlers or stream their full album here.

she asked me if i would ever fall.

2009-03-04T22:01:00.000-08:00

Skywave are an amazing group from the 90's and early 2000's. Hailing from Fredericksburg, VA, they helped the resurrection of shoegaze in the United States. Every time some type of "shoegaze" is mentioned there is talk of derivation from The Jesus & Mary Chain and My Bloody Valentine, but Skywave definitely carve out their own place.

In terms of albums, I am partial to Took the Sun (1998). Each song is mesmerizing with its perfectly placed feedback, dissonance, and accentuating percussion. The guitars are layered with complexities and add so much to each track while the vocals work well to set an emotional tone. Not one song sounds the same as the one before it, but there is an innate cohesiveness to the album. In addition to the below song, I highly recommend "Walking on Stars" and "Sanddune".

"Sixteen" -

The music is still alive, the bassist went on to form A Place To Bury Strangers. They come off as a bit more abrasive to me, but are still very very good. Ceremony, another solid effort, came from two other members. I just can't help but keep a little special place in my heart for Skywave.

go somewhere private where we can discuss fashion.

2009-02-18T11:43:00.000-08:00

On the heels of Mercedes Benz Fashion Week I've decided to sum it up with LISSY TRULLIE.

Trullie, hipster model turned musician, was present at the La Baron party at the Bowery. She also DJs at Paul Sevigny's hotspot Beatrice. Lissy is worth checking out just to see that not everyone in that scene is so vapid. Her songwriting skills are actually pretty decent and her voice is incredibly unique.

---------------------------------------------------------------------------------

In terms of New York party spots, I would also highly recommend Mr. West. One of the best hip-hop DJs I've ever heard and a pretty relaxing atmosphere make this a club frequented by Kanye West, Pharrell Williams, and Mary J. Blige when they are in town.

Most fun fashion show? I would say this is a tie between Jill Stuart and William Rast. The Jill Stuart show featured these amazing and sophisticated black lace pieces that I could see myself wearing. It also helped that The Yeah Yeah Yeahs and Blonde Redhead accompanied the girls as they strutted down the runway. Justin Timberlake's line, William Rast, left something to be desired clothing-wise. The "New America" theme just didn't do it for me, but I was starstruck by the Hilton's, JC Chasez, Jessica Biel, Anna Wintour, and Carine Roitfeld.

Fashion Week was crazy, but it's good to be home.

please don't throw it all away.

2009-02-11T23:06:00.000-08:00

My New Favorite Song:

When I was doing my radio show over the summer I came across a demo. A song called "You're Making This Hard" by Irish indie band Sweet Jane. The song was reminiscent of Darklands (1987) era The Jesus & Mary Chain and featured a duo of male and female vocals, steady bass drum beats, and driving guitars. Unfortunately, they changed it up a lot for the version in their EP, which can be previewed on their myspace.

"Blackboots Blackhearts" is the title track on the EP. It is really the style of stuff I'm into right now. In lieu of something lovey and valentiney, I'll go with something that reminds me of exactly how I feel. Just the right blend of melancholy and feedback.

secret knowledge of backroads.

2009-02-04T18:32:00.000-08:00

My Stomping Grounds In:
The H Street Corridor / The Atlas District

Since speaking about Rock & Roll Hotel in my summer "nightowl" post, I have decided to expand and talk about a section of DC that I've been frequenting quite a bit.

H street NE is an up-and-coming area of DC. Once a bustling part of the city, the H Street District suffered setbacks following the assassination of Martin Luther King, Jr. and the ensuing race riots of 1968. Recently, the area has been revitalizing and focusing on the arts & entertainment sector. Named after the famous Atlas Theater, the Atlas District boasts a number of hotspots. The area is a lot easier to access using public transportation following the recent addition of a free H Street Shuttle. It travels a convenient route between the Chinatown and Minnesota Ave metro stations. There is also the option of the X2 metro bus, or as always a trusty (and more costly) cab ride.

Besides Rock & Roll, my most frequented H Street venue is Sticky Rice. In fact, it is a lot like a second home. Foremost, the staff are wonderful and accommodating. I now consider many of them friends. The food is delectable and fairly inexpensive. They boast sushi and tater tots and they now have delicious brunch! After dinner, Sticky turns into a boisterous nightspot with a great atmosphere and a gong. Tuesdays are karaoke night hosted by the talented Andrew Herndon, Wednesdays are BLINGO hosted by the elusive Russell, and the weekends bring DJs, dancing, and trivia. Sticky Rice is the total package for a restaurant/bar establishment. Check out all the deets at http://www.stickyricedc.com.

Another restaurant in the area that I thoroughly enjoy is Dr. Granville Moore's Brickyard. This gastropub is meant to be a bit grimy, but the food is totally worth it. I am not a beer drinker, but all my friends rave that the offering of over 50 beers is spectacular. The Belgian fare is delicious and the low-key environment is relaxing and welcoming. I would highly recommend mussles, frites, and a brownie for dessert! More info at http://www.granvillemoores.com.

listen to me! i'm on the stereo, stereo.

2009-01-28T11:54:00.000-08:00

I have made mixes for quite a few people in between this and "The Mixed Tape" post, but I particularly want to share the one I put together for my bandmates. [We're indie/shoegazey, I'm the singer, we don't have a name yet, and I will definitely give more details when we do...] Anyway, this mix cd was meant to inspire songwriting, to help with band bonding, and to show some of the songs that I've been loving. Here it is:

1. starrsha- ringo deathstarr
2. sixteen- skywave
3. 23- blonde redhead
4. bled white- elliott smith
5. blue jeans*- blur
6. the drowners- suede
7. blasphemy- miracle fortress
8. all things ordinary- the anniversary
9. everything's alright when you're down-
the jesus & mary chain
10. stereo- pavement
11. angry mulch- voxtrot
12. summer babe- pavement
13. welcome to new jersey- the glands
14. center of the universe- built to spill
15. the only moment we were alone- explosions in the sky

* "Blue Jeans" shows up on basically every mix I make because it's just that meaningful. I also repeated "Summer Babe" because it's a pretty solid example of a song I'd like to emulate.

i had a name. i let it leave me.

2009-01-25T15:11:00.000-08:00

[I haven't written extensively about Voxtrot because they have been in some sort of limbo since I started this blog. They are one of my favorite bands, but I have not heard the real deal on why things are on hold. I have my ideas, but I can't stop hoping that they'll get it together and start work on a new album. Regardless, they are worth talking about and I won't put it off any longer.]

For the past few years I have been into Voxtrot, an Austin-based indie band. I stumbled into them on Myspace, took in a few shows, and have been obsessed ever since. I don't want to get into a lot of background in this post, but I will say that each of their EPs is worth listening to for different reasons.

Often times it is telling to listen to a band's rare or unreleased tracks. Lately, I have been favoring "The Warmest Part of the Winter" because it highlights Ramesh Srivastava's tender vocals, a slide guitar line, and introspective lyrics. There is a melancholy tone in the melody giving a sobering view on love. When Voxtrot recorded their full length album, I think they lost touch with some of the simplicity found in this song.

I would also recommend "Angry Mulch" and "They Never Mean What They Say," though MP3s are hard to come by at this point.

my president is black, my lambo's blue.

2009-01-19T23:32:00.000-08:00

Young Jeezy - "My President"

Nas - "Black President"

P.S. Do you think Pac cares that Nas sampled him when it's a matter of civil rights? I feel he'll be watching from the sky tomorrow and loving it all. Holler if you see me at the inauguration!

they call you sentimental.

2009-01-11T20:36:00.000-08:00

In my previous post I mentioned that I've been listening to a lot of The Glands. As with many of this fall's discoveries, they came to me in a 14-disk package sent by a west coast enigma. Introducing me to The Glands was a good choice because they have sucked me in. I have trouble explaining why I love them so much, I think because I feel an emotional connection to the songs. They hit me in a reminiscent way as though I've been hearing them for years and am revisiting the story. Lyrics which may seem simple have an eloquence and elegance in execution. Musically, they benefit from many unique influences and are a bit Guided By Voices or Pavement-esque. I have heard them described as "high-quality '90s college radio fare" and I can't say that I disagree.

My question is why this band never achieved greater recognition or even a cult following. Reading articles about them from the late 90's and early 2000's, it seems like the journalists put The Glands as being poised for success. Their self-titled sophomore album (2000) was hailed as "...an indie-rock masterpiece" (9 of 10 rating) by Spin Magazine. Today that is juxtaposed with the same record being on a list of "the best indie albums no one's ever heard." No one really knows if they broke up, and there is a cloud of mystery surrounding their period of silence. There is also a third album in limbo due to a rumored squabble with the Capricorn label. Ultimately, I want to disseminate information on The Glands because I believe in them at a high level. With the right marketing, or a few years later, this band could have blown up. I sincerely hope that they have more to bring to the table.

The following are snippets of my most highly recommended songs:

Add a playlist to your page using iLike

and everything is going to the beat.

2009-01-05T23:29:00.001-08:00

This cold and dreary winter I have had trouble locating my normal and healthy amount of musical inspiration. It's been more difficult to find a song that can both calm me down and hype me up. Instead I have been huddled under the covers with 23 (2007) by Blonde Redhead, The Earth Is Not a Cold Dead Place (2003) by Explosions in the Sky, and various lyrical lo-fi tracks by The Glands. While that is not necessarily a bad thing, I need something with more pep. I need something that suits blustery, yet helps me forget my blues.

Passion Pit are quickly filling the void with their addictive melodies and electronic charm. They mix layers of mellow with hyper synth and falsetto vocals. "Sleepyhead" is my favorite so far- it's in a commercial, but who cares. It's been stuck in my head for three days straight. "Live to Tell the Tale" is also highly recommended, with its tender vocals and dreamy synths.

she's so lackadaisical, should have been a west coast bride.

2008-12-07T12:31:00.000-08:00

& my love for Pavement.

Yesterday I practiced with my friend's band and we covered "Cut Your Hair" (1994) by Pavement. It got me thinking about how they are still and indie rock cult classic nearly a decade after they disbanded. Beyond that, they are one of my favorite bands ever.

Why?
1. The impeccable, if often nonsensical, lyrics (i.e. "Lip balm on watery clay/ Relationships hey, hey hey.")
2. Stephen Malkmus's voice. With its unique timbre, imperfect pitch, and natural emotiveness, Malkmus carries the words without it ever seeming like he's trying too hard.
3. Talented Musicians. They have the ability to accentuate the tone and intent of each song. This includes a full range of guitar sounds and the always appropriate and complimentary percussion.
4. Their laid-back west coast cool.
5. The fact that they stayed on an indie label through their whole career.

Usually I am highly against the idea of any of my favorite bands getting back together because I think it ruins things. I am probably one of the only people who doesn't want to see a Smiths reunion. But I predict that Pavement will eventually reunite in some capacity and be just as cool as they always were. [And if you like prog rock feel free to check out Stephen Malkmus & the Jicks].

Links:
"Cut Your Hair"-

"Summer Babe" Live-

the revolution will not be televised...

2008-11-05T06:51:00.000-08:00

There was a change in me from the moment I stepped into Jonathan England's Intro to African American studies class nearly four years ago. I realized that African American studies was one of my life's passions, following on the heels of my hip-hop addiction and continuing interest in black culture. And yet the cynic in me did not think I would live to see a black president. Last night was, and will continue to be, one of the proudest moments of my life. It is a day that will live in my heart forever. It is a story I will tell my children and grandchildren as I teach them equality, progress, acceptance, and unity. All is not fixed by this great gesture, but with Barack Obama as the President of the United States there is an overwhelming feeling of hope.

As I walked into the jam-packed Bohemian Caverns on election night, there was a sense of positive but nervous energy. I got on the moon bounce, drank some Ciroc, and celebrated every time a state went blue. Then at about 11 PM, CNN projected Obama to be the winner. Everyone went wild, screaming and shrieking, and hugging. I was crying for civil rights, for human rights, for the hope that I didn't allow myself to have until the very moment it all happened. The streets were insanity, and it was a great great moment to be in our nation's capital.

Obama's acceptance speech was a powerful statement of what has and will be achieved. He spoke American spirit, and promise, an entity that pushes us forward and allows us to set aside our differences to become one. Causing sobs to escape my lungs he referenced Martin Luther King Jr. in saying:

And it is that [American] promise that forty five years ago today, brought Americans from every corner of this land to stand together on a Mall in Washington, before Lincoln's Memorial, and hear a young preacher from Georgia speak of his dream. The men and women who gathered there could've heard many things. They could've heard words of anger and discord. They could've been told to succumb to the fear and frustration of so many dreams deferred. But what the people heard instead – people of every creed and color, from every walk of life – is that in America, our destiny is inextricably linked. That together, our dreams can be one. "We cannot walk alone," the preacher cried. "And as we walk, we must make the pledge that we shall always march ahead. We cannot turn back."

So bump some old school jams and pour out a little liquor for those who passed before they could witness this. We are living a revolution. "Free at last! Free at last! Thank God Almighty, we are free at last!"

hi hater...

2008-09-25T09:45:00.000-07:00

or why I will be attending Nouveau Riche instead of FIVES.

It doesn't really help with networking to trashtalk other DC Metro DJ collectives and parties. Just sayin'.

hangin' on to you.

2008-09-23T10:33:00.000-07:00

For various reasons, I have recently rediscovered my love of Fleetwood Mac. They aren't what I would normally listen to, but they were a staple at home growing up. I have always had a fascination with Stevie Nicks in particular and so I've decided to detail a couple of my favorite Fleetwood songs. I didn't pick the most popular or well known songs, but I picked those that are most aestetically pleasing to me at this time. Each of these songs have particular meaning in my life right now and happen to be written/performed by Nicks.

"I Don't Want to Know," Rumours (1977)
This song was written shortly after the dissolution of Nicks' relationship with fellow band member Lindsey Buckingham. It is easy to understand her perspective that even though things get crazy after a breakup, there is no real ill will between the parties. Future songs by both Nicks and Buckingham show a bit more animosity, but I love this song because it remains upbeat despite the adversity. Hand claps, jangly guitars, and tight harmonies define the tone. The catchy chorus brings it all together, saying, "I don't want to know the reasons why/ Love keeps right on walking down the line./ I dont want to stand between you and love,/ Honey, I just want you to feel fine."

"Gypsy," Mirage (1982)
With plucky guitars and a minimal but immaculate arrangement, the focus is kept on Nicks' haunting voice and lyrics. Gypsy has a very melancholic vibe to it, touching on loss, being alone, but also starting over. The repeating themes shown with the lyrics "And it all comes down to you,/ Well you know that it does,/ Well, lightning strikes...maybe once...maybe twice..." are clearly lamenting something, but leaving room for renewal. Nicks initially wanted to use this song for her solo debut, but it took on new meaning when her friend Robin Anderson died of Leukemia, and she kept it for Fleetwood Mac. The outro is an incredibly complex Lindsey Buckingham solo, which will probably hinder me in my quest to record a cover of this song.

Recommended Tracks From Stevie's First Solo Record- Bella Donna (1981):
"Stop Draggin' My Heart Around"
"Think About it"
"After the Glitter Fades"

sweet girl.

2008-09-08T06:37:00.000-07:00

My first weekend back in College Park, and hopefully working in the city for good, I knew I had to find something to do to counteract all of my prior downtime at home and the horrific job search. After two mediocre house parties and an advanced screening of Choke, there was the pièce de résistance: The Flying Eyes, Ringo Deathstarr, and 2 1/2 Teeth at WMUC radio station.

Now I have been curious about Ringo Deathstarr for a while and this is another a reason why being affiliated with WMUC really pays off. I got to see this band that intrigues me all for a $3-5 suggested donation. All I really knew about them going in was that I thoroughly enjoy listening to their EP. They had played DC the night before, but I hadn't been able to make it so I was really happy they put on another show. With near perfect timing, we arrived shortly after they took the stage.

In the small studio that is the liveroom, there was little separation between band and audience. The stylishly clad group banged, clanged, and sang away, the room reverberating with feedback, rhythm, and echo. Everyone was sweating, dancing, gazing, and even moshing. I came out with some new battlescars as well. The set was flawless and the band seemed taken with the crowd's involvement. They even hung around afterwards just chilling and speaking with the kids, all without an ounce of arrogance. I was so envious at how effortlessly they seemed to pull it all off.

Finally, what I found is that all of the Jesus & Mary Chain comparisons don't do either of the groups justice. Yes, I would consider Ringo Deathstarr to be shoegaze, but not in a purely traditional sense. They have taken a modern spin on the genre, and have made it their own. While they could sound like a mixture of Psychocandy and Loveless, that's so cliche and Ringo Deathstarr have their own sound and presence.